Home Page | Cynthia Byrnes Contemporary Art

TECHNOBABBLE BLUE

Solo Exhibition | Paul Michael Graves

On View

Thanks to everyone who visited us in Chelsea!
Missed the show? View the exhibition here!

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Pandemic Portraits No. 56, Barbara Leiner, painting, oil on canvas

Sarah Hinckley, The Sun is Fading Into a Passing Dream (1)

Drew King, "Get on the Bus," acrylic, oil on canvas

Pauline Galiana, "Shredded Impression 7," paper collage on Mylar

Reflections VIII, Claudia Mengel, work on paper, monotype

Cynthia Kirkwood, "Two, Red, Pink, and Blue," ink on Fabriano paper

Swimmer in Orange, Geoffrey Moss, mixed media, work on paper, graphite pencil, dry pigments and waxes on paper

cynthiabyrnesca

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Apr 1

27 6

Open

Spotlight: Emily Hamilton Laux, "Starry Field One," 2020, cyanotype print on archival hot press paper, 30 h x 22 w in.⁠
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Photographer Emily Hamilton Laux uses foliage such as Queen Ann’s lace blossoms and fern fronds to create her peaceful cyanotype print. Laux crafts a gentle, dreamy scene of dainty blossoms drifting above a meadowy row of blooms amid a solid backdrop of rich Prussian blue. The varying shades of white and light blue create a sense of depth and movement to the piece, as though you too can feel the breeze pushing the lacey flowers through the rich dusky blue. ⁠
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How does Laux's "Stary Field One," make you feel? With spring just around the corner are you starting to see wildflower in your area too? ⁠
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@emilyhlaux #cyanotype #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #Spotlight #EmilyHamiltonLaux⁠
#prints #prussianblue #contemporaryabstractart #interiordesign #artgallery #artcurator #artcollector #artadvisory #onlineartgallery⁠

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Mar 20

15 0

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Spotlight: Brian Walters II, "Orange Burst 2," 2012, reclaimed steel, 18 1/2 h x 12 w in.⁠
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Self-taught Connecticut-based sculptor Brian Walters II creates abstract metal sculptures using raw, reclaimed steel. His work is comprised of salvaged material which he collects throughout his home state. Inspired by the previous function or purpose of each reclaimed piece of metal, Walters highlights the wear and tear acquired by years of service to society. From a flywheel out of a Chevy truck to a piece of rebar that once held a sidewalk together, there is something unique to each individual piece used in his work. His aim as a sculptor is to showcase not only the material being used but the story behind it. ⁠
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What story do you imagine is the story behind this pieces steel?⁠
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@bcw2sculptor #sculpture #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #Spotlight #BrianWaltersII #steel #abstract #contemporaryabstractart #interiordesign #artgallery #artcurator #artcollector #artadvisory #onlineartgallery⁠

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Mar 17

33 0

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"Green is the prime color of the world, and from that which lovliness arises." - Pedro Calderon de la Barca⁠
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#CBCAartist Joy Moser "Georgia Tree, Dusk," 2011, oil on canvas, 46h x 46w in.⁠
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Image 2: Hugh O'Donnell, "The Green Unraveler II," 2006, oil on panel, 24h x 24w in.⁠
Image 3: George Chaplin, "(P41)New Green 9 3," 2010, pastel on paper, 18h x 19w in.⁠
Image 4: Rachelle Krieger, "Shadows and Light," 2005, oil on linen, 28h x 34w in.⁠
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Cynthia Byrnes Contemporary Art⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #CurateCollaborateCollect #JoyMoser #oilpainting #oiloncanvas #green #landscape #contemporaryabstractart #interiordesign #artgallery #onlineartgallery #artcurator #artcollector #artadvisory

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Mar 13

4 2

Open

Spotlight: Kiyoshi Otsuka, "Yoga," 2016, acrylic on canvas, 30 h x 40 w in.⁠
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Japanese artist, Kiyoshi Otsuka’s bold, abstract paintings seek to portray the beauty and power of nature and our connection to the natural world. Inspired by the New York Botanical Gardens, Otsuka’s organic aesthetic is significantly informed by natural elements, particularly water. Working predominantly in acrylic, his work is informed by the liquidity of the medium. Through controlled gesture, Otsuka created organic, multilayered, curvilinear compositions often comprised of carefully applied drip patterns. Of his practice, Otsuka stated that, ‘I recycle my own ‘ancient’ paintings and these layers of experience meet with the immediate act of painting to accomplish deep color and space, and a tangible impression of natural form.’⁠
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What do you see in Otsuka’s “Yoga”? Do any elements remind you of nature?⁠
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#KiyoshiOtsuka #painting #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #Spotlight #abstract #blackandwhite #contemporaryabstractart #interiordesign #artgallery #artcurator #artcollector #artadvisory #onlineartgallery⁠

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Mar 10

19 1

Open

Spotlight: Rebecca Welz, "Passageways," 2021, blackening on welded steel, 100 h x 59 w x 16 d in.⁠
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Rebecca Welz brings free-hand line drawing off the page with her delicate steel sculpture work. Inspired by natural wonders and ecological processes that combine to give us biodiversity, her work explores the hand that humans have in sustaining or destroying our biodiversity. In this piece delicate, irregular lines branch off and stretch outward like roots spreading through the earth or vines crawling across a facade. Likewise, the organic lines can also appear like cracks spreading through a clean white wall. Using a torch, Welz intuitively bends and twists the steel rods giving a natural impression to each element. Her art grows out of the knowledge of the fragility of our planet and explores the beauty of nature as well as the impact that humans have on our environment. ⁠
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What do you see in this piece? To the creepy lines seems like natural growth or a crumbling construction? Do you see something else entirely?⁠
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@RebeccaWelzSculpture #sculpture #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #Spotlight #RebeccaWelz #steel #contemporaryabstractart #interiordesign #artgallery #artcurator #artcollector #artadvisory #onlineartgallery⁠

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Mar 6

11 0

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Spotlight: David Leventi, "Teatro Amazonas, Manaus, Brazil, 2009," 2009, digital chromogenic prints, custom sizes available⁠
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Though David Leventi photographs empty architectural interiors and exteriors, his eye for both meticulous detail and sweeping composition transforms his works into deeply moving portraits of spatial experiences. He pursues vertical and lateral symmetry, which paradoxically creates a flattening of the image and yet gives the viewer the sensation of being enveloped by his photographs’ subjects. Leventi works in series. For “Bjoerling’s Larynx: World Famous Opera Houses” (2007-10), he extensively documented the interiors of world famous opera houses; he took each photograph at center stage exactly where a performer would stand, attempting to allow light to move through his photographs the way a performer’s voice moves through the space.⁠
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How does it feel to see things from the performer's persepctive?⁠
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@davidleventi #photography #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #Spotlight #davidleventi #opera #contemporaryabstractart #interiordesign #artgallery #artcurator #artcollector #artadvisory #onlineartgallery⁠

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Mar 4

9 2

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Spotlight: George Chaplin, "(S09) Blue Chord," 2014, oil on canvas, 36 h x 36 w in.⁠
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We’re mesmerized by the dramatic gradations of blues in George Chaplin’s "(S09) Blue Chord." A former student of Josef Albers at Yale University, Chaplin’s paintings are abstract and based in color studies. His color field paintings and pastels reflect an objectivity towards subject matter and an exploration of the capacity of color. Inspired by nature and the landscape, Chaplin seeks to convey the serenity and excitement of natural elements such as water and fire which he notes are always the same yet always moving. In his larger oil paintings, Chaplin uses a pallet knife to work and mix colors both on the pallet and on the canvas directly, creating a soft Ombre from one color to the next. Of his paintings, Critic Shirley Gonzales wrote that, “Although he runs through the spectrum of what we usually think of as warm and cool colors, none of Chaplin’s colors are really cool…The color fills the room, vibrates, and seems to fluctuate as if moved by currents of air.”⁠
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How do the rich blues and natural transition from one blue to the next make you feel? Do you find it soft and inviting? Or maybe vibrant and exciting? ⁠
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#GeorgeChaplin #painting #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #Spotlight #GeorgeChaplin #colorfield #blue #contemporaryabstractart #interiordesign #artgallery #artcurator #artcollector #artadvisory #onlineartgallery⁠

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Feb 27

13 2

Open

Spotlight: Joy Moser, "Cloud Cluster 4," 2012, oil on wood, 12 h x 12 w in.⁠
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Sometimes we just need a break to step outside and gaze at the clouds. Joy Moser began her career as an abstract painter in the late 1950’s but quickly turned her practice to the real world of landscapes which lurked behind her past work. Profoundly influenced by her childhood in the mountains of Pennsylvania, Moser focuses her attention to the investigation and celebration of the infinite variety of tone, color and composition of the landscapes around her. Using her camera as a sketchbook, she searches for images that seem to offer odd structure and “mystery”. She shoots multiple points of view, culls, crops, and mostly discards. The surviving photographs become the catalyst for her paintings and the process is always a mediation between her memories and the image itself.⁠
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What do you see in Moser's cloudscape? Does the scene seem cheerful and optimistic or perhaps more sinister? ⁠
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#JoyMoser #painting #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠

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Feb 26

14 0

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"Always try to keep a patch of sky above your life." - Marcel Proust⁠
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#CBCAartist @lauramoretzart "The Chaotic Dance of It All," 2023, acrylic, enamel, pastel, oil paint marker, Aspen river water on raw canvas, 72h x 66w in.⁠
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Cynthia Byrnes Contemporary Art⁠
‘Let us help you find something extraordinary'⁠
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Feb 25

12 0

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Spotlight: Mary Judge, "Concentric Form Series 45," 2009, powdered pigment on paper, 19 h x 15 w in.⁠
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In “Concentric Form Series 45” Mary Judges’s delicate concentric line work softens and morphs into organic shapes as they bloom across the page, resembling the irregular rings of a tree stump. The tidy dots and spacing between each layer suggest a geometric logic and order while the shapes them selves seem to flow ungoverned from one form to another. Inspired by her frequent travel to the Umbria region of Italy, Judge’s post-minimal work is process driven and often utilizes non-traditional techniques such as her unique “polvero” (meaning ‘dust’ in Italian) drawings, based on a technique used to transfer detailed drawings to the surface of traditional Italian ceramics. ⁠
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Do you see the rings of a tree in this piece or do you see something different? Or to you like this piece for its simple abstract composition? ⁠ ⁠⁠⁠ #MaryJudge #WorkOnPaper #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #Spotlight #MaryJudge #abstract #contemporaryabstractart #interiordesign #artgallery #artcurator #artcollector #artadvisory #onlineartgallery⁠

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Feb 18

12 0

Open

Reminder! Cocktails & Sculpture with Donna Forma⁠
Tuesday, March 4, 5:30 - 7:30pm I 963 Hulls Highway, Fairfield, CT⁠
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CBCA Artist, Donna Forma, is a multi-media sculptor based in Fairfield, CT who uses natural materials for her environmentally themed sculptures. Using an array of natural materials from reclaimed wood, to mica, to found fibers, Forma's sculptural works draw from natural imagery and organic shapes.⁠
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Her pieces range in scale from table-top organic forms to large person-sized constructions which seem to cast the viewer as a participant in the making of this new organic environment. Inspired by the work and writings of architect Louis Kahn, Forma seeks to highlight the beauty of nature through her work and inspire viewers to appreciate, respect, and love nature and our environment.⁠
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Cynthia Byrnes Contemporary Art⁠
‘Let us help you find something extraordinary'⁠
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#CBCAartist #cynthiabyrnes #contemporaryart #CBCA #CurateCollaborateCollect #artstudio #studiovisit #sculpture #contemporarysculpture #DonnaForma #contemporaryabstractart #artsy #interiordesign #artgallery #onlineartgallery #gallery #artcurator #artcollector #artadvisory

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Feb 17

21 0

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Spotlight: Ethan Kolwaite, "Untitled 50," 2019, oil on paper, 80 h x 76 w in.⁠
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Using his whole body to paint and move about the canvas, abstract artist Ethan Kolwaite creates large-scale oil paintings as tall or taller than himself. Kolwaite’s work is teeming with intriguing contradictions. Using vibrant color and a highly physical – almost performative – process, the artist reflects on dark, personal subject matter, such as death and mortality. His paintings stand as a foil against his process and even himself as the creator. His very lively method of creation, as well as his bright, playful color pallet notably contrast with his dark, contemplative subject matter. As Kolwaite grapples with somber subject matter larger than himself, his paintings seem to translate the artist’s inner turmoil into an engaging visual experience. The intense colors and wide frenzied brushstrokes of “Untitled 50” signal these intense emotions and give the final piece a sense of tension and ferocity. ⁠
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Do you see the artist’s passion in Untitled 50? What emotions do you see or feel when you look at this piece? ⁠
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@deepsliver #workonpaper #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠

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Feb 14

8 0

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Happy Valentine's Day ❤️🩷⁠
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“There is nothing better than a friend, unless it is a friend with chocolate.” – Linda Grayson⁠
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#CBCAartist @barbaragrossman11 "Bright Pink Room," 2022, oil stick on paper, 24h x 18w in.⁠
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Cynthia Byrnes Contemporary Art⁠
‘Let us help you find something extraordinary'⁠
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#cynthiabyrnes #contemporaryart #CBCA #CurateCollaborateCollect #HappyValentinesDay #BarbaraGrossman #oilstick #workonpaper #contemporaryabstractart #interiordesign #artgallery #onlineartgallery #artcurator #artcollector #artadvisory

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Feb 13

8 1

Open

Spotlight: Kaz Strankowski, "Valencia B," 2006, chromogenic print, custom sizes available⁠
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Kaz Strankowski’s minimal, geometric photographs isolate details of classic modernist architecture from their geographic and temporal settings and instead showcase the selective geometry of his subjects. In "Valencia B," rather than featuring the unnamed structure in its entirety, Strankowski abstracts his subject by narrowing his focus on a single facet of the space. In doing so, he allows the angles, negative spaces, and dramatic gradation of light and shadow to create a sense of stillness, calm, and timelessness. ⁠
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Do you get a sense of calm from this piece too? What do the gradating arches make you think of? ⁠
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@kazstrankowski #photography #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠

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Feb 10

13 1

Open

Spotlight: Sarah Hinckley, "Save the Rain (1)," 2018, oil on canvas, 50 h x 40 w in.⁠
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Sarah Hinkckley’s subtle, meditative color field painting offers a much-needed moment of stillness and calm. The bands of soft neutral colors are interrupted by blue painterly drips and a small, swooping, black geometric insertion, giving the piece a gentle sense of movement. Layering colors gradually over time, Hinckley carefully minds the shifts and changes caused as the materials dry or bleed together allowing the process to influence her progress. Her patient creative method comes through in the final composition and takes us to quiet misty mornings walking across a Cape Cod beach.⁠
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How does “Save the Rain (1)” make you feel? Do you find it soothing too or does it make you think of something different? ⁠
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@sarahhinckleystudio #painting #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠

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Feb 6

8 1

Open

Spotlight: Will Clift, "Bending In and Out, Large," 2014, hardwood, carbon fiber composite, steel, white pigment, 105 h x 28 w x 3 d in.⁠
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Inspired by gesture, movement and balance, Will Clift’s sculpture “Bending In and Out, Large,” is the epitome of grace. The freestanding vertical sculpture is comprised of four interlocking elements that ascend upward from a single point in delicate, gently curving lines. Each component is held in perfect equilibrium with the others, relying on tension, balance, and proportion to maintain the composition. Despite being static, the piece suggests natural movement and a sense of weightlessness like tendrils of smoke reaching upwards until they dissipate.⁠
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What do you think of when you look at this piece? Does a sculpture caught between motion and stillness remind you of anything? ⁠
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@will.clift.sculpture #sculpture #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠

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Feb 4

30 3

Open

Save the Date: Cocktails & Sculpture with Donna Forma⁠
Tuesday, March 4, 5:30 - 7:30pm I 963 Hulls Hwy, Fairfield, CT⁠
⁠
CBCA Artist, Donna Forma, is a multi-media sculptor based in Fairfield, CT who uses natural materials for her environmentally themed sculptures. Using an array of natural materials from reclaimed wood, to mica, to found fibers, Forma's sculptural works draw from natural imagery and organic shapes.⁠
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Her pieces range in scale from table-top organic forms to large person-sized constructions which seem to cast the viewer as a participant in the making of this new organic environment. Inspired by the work and writings of architect Louis Kahn, Forma seeks to highlight the beauty of nature through her work and inspire viewers to appreciate, respect, and love nature and our environment.⁠
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Cynthia Byrnes Contemporary Art⁠
‘Let us help you find something extraordinary'⁠
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#CBCAartist #cynthiabyrnes #contemporaryart #CBCA #CurateCollaborateCollect #artstudio #studiovisit #sculpture #contemporarysculpture #DonnaForma #contemporaryabstractart #artsy #interiordesign #artgallery #onlineartgallery #gallery #artcurator #artcollector #artadvisory

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Jan 30

18 2

Open

Spotlight: Zemma Mastin White, "Hypnotic," 2018, flashe paint on paper, 42 h x 42 w in.⁠
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Formalist painter and printmaker Zemma Mastin White explores the relationship between shapes and colors for their own sake rather than for what they may represent. In this piece, Mastin White uses short, broad, rectangular stokes of Flashe paint to create a confetti-like composition of cool, earthy colors that flutter haphazardly across the paper. She complicates the textural composition with subtly dense ridges of yellow and red which diagonally bisect the piece from each corner and guide the eye around the page. While the artist is inspired by urban textures and geometries, what do you see in "Hypnotic"’s kaleidoscopic medley? Do you see playful entropy or maybe a stealth order?⁠
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@zemmaart #WorksOnPaper #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠

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Jan 27

29 2

Open

Spotlight: Michael Filan, "Covered With Inscriptions," 2024, enamel on board, 60 h x 45 w in.⁠
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Filan creates his large-scale brushless paintings through an intensely physical process of pouring, dripping and splattering paint across the surface. He guides the natural flow of the paint to create intricate drips and swirls, giving his work subtle detail and texture. Most interestingly, his energetic method of layering various colors in opposing, often counterintuitive, directions produces dynamic visual planes which allows viewers some distance from the practical aspects of the piece to appreciate the compositions for their form, pallet, and energy. ⁠
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What do you see in this piece? Do you see anything unexpected in Filan’s topsy-trurvey layered color bands? ⁠
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@mike.filan #painting #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠

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Jan 23

20 4

Open

Spotlight: Vicky Stromee, "Blue Ice Caves 15," 2021, digital capture, custom sizes available⁠
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Stromee’s extreme close-up photographs of arctic glaciers engage in a mediative investigation of color, texture, and pattern. Her intimate approach brings the viewer in for an uncommonly detailed and abstracted perspective on these larger-than-life geographic features. In doing so, she pairs down her mammoth subjects to the essentials of light, shadow, and texture in that moment, and encourages a unique familiarity with these extraordinary bodies of ice as well as reflection on their drastic changeability within the broader conversations of the health of our planet. ⁠
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Did you recognize the glaciers right away or did you see something else in the rich blue gradient?⁠
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@vickystromeephotography #photography #CurateCollaborateCollect⁠
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Cynthia Byrnes Contemporary Art⁠ ⁠
‘Let us help you find something extraordinary'⁠

In The Studio With Brian Walters II

April 2, 2025

Self-taught Connecticut-based sculptor Brian Walters II sat down with us to discuss his background, career, and what motivates his practice.

In The Studio With Tracey Adams

March 6th, 2025

Tracey Adams virtually sat down with us to discuss her professional background, sources of inspiration, and her creative practice.

Read the Interview

In The Studio With J Henry Fair

Artist Interview

Aerial photographer and environmentalist, J Henry Fair virtually sat down with us to discuss his what he seeks to communicate through his work, how he measures success as a professional photographer and what inspires his work.

Read the Interview

Vantage Points

View Exhibition

In The Studio With Perry Obee

Read Interview

Herbarium

View Exhibition

Mind and Body: Pauline Galiana Solo Show

View Exhibition

Introducing Younghee Choi Martin

View Collection

In The Studio With Donna Forma

Read Interview

In the Studio with Mike Filan

Read Interview

Subject to Change, Photographs by Vicky Stromee

View Exhibition

In the Studio with Santiago Lozano

Read Interview

CBCA curates a colorful collection for Farrow & Ball’s Virtual Home

Tour the Showhouse

In The Studio With Michael Manning

Read Interview

In the Stuido with Will Clift

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In the Studio with Louise Crandell

Read the Interview

Beauty/Destruction

Exhibition

Introducing David Leventi

View Collection

In the Studio with Sarah Hinckley

Artist Interview

In the Studio with Irene Yesley

Read the Interview

In the Studio with Elena Lyakir

Read the Interview

In the Studio with Kaz Strankowski

Artist Interview

In the Studio with Rebecca Welz

Artist Interview

In the Studio with Geoffrey Moss

Read the Interview

In the Stuido with Dana Saulnier

Artist Interview

Introducing Katrine Hildebrandt

New Artist

The D&D’s Spring Market Keynote Event, May 10, 2023

Event

In the Studio with Zemma Mastin White

Artist Interview

Are We There Yet?

Exhibition

Design on a Dime Benefit

Event

Introducing Rebecca Welz

New Artist

The Face of America Feature

Press Highlight

Rooms with a View 2022

Showhouse

CBCA Collaborates with Kevin Isbell

Press Highlight

Introducing Christina Watka

New Artist

Designing With Fine Art & Wallcovering

Event

In the Studio with Perry Burns

In the Studio

Introducing Michael Filan

New Artist

Normal For Now

Exhibition

Congrats to Liz Dexheimer

Artsy Editorial

Introducing Emily Hamilton Laux

New Artist

In the Studio

New Series

Collect, Collaborate, Decorate

Past Event

Introducing Brian Walters II

New Artist

Brilliant Gems

Press Highlight

Case Study

Press Highlight